After John Donne

After John Donne’s “To His Mistress Going to Bed”
by Lisa Russ Spaar

What might she send — a wet sleeve,
or platter of brine-latticed bluefish

dusky with capers, lemons, wine;
a briar for your thumb, a mouth,

lunatic, to suck the blood:
a signal that one too often

inside & now beside herself with thoughts
of you wonders how she might woo

and through dew-whetted keyhole
pursue & sing & win? She is marvelous

with waiting. Come. Hunt here.
Relieve with hands and tongue her heavy hour.


Elegy XIX: To His Mistress Going to Bed
by John Donne

Come, Madam, come, all rest my powers defy,

Until I labour, I in labour lie.

The foe oft-times having the foe in sight,

Is tired with standing though he never fight.

Off with that girdle, like heaven's zone glistering,

But a far fairer world encompassing.

Unpin that spangled breastplate which you wear,

That th'eyes of busy fools may be stopped there.

Unlace yourself, for that harmonious chime

Tells me from you that now it is bed time.

Off with that happy busk, which I envy,

That still can be, and still can stand so nigh.

Your gown going off, such beauteous state reveals,

As when from flowery meads th'hills shadow steals.

Off with your wiry coronet and show

The hairy diadem which on you doth grow:

Now off with those shoes: and then safely tread

In this love's hallowed temple, this soft bed.

In such white robes heaven's angels used to be

Received by men; thou, Angel, bring'st with thee

A heaven like Mahomet's Paradise; and though

Ill spirits walk in white, we easily know

By this these Angels from an evil sprite:

Those set our hairs, but these our flesh upright.

License my roving hands, and let them go

Before, behind, between, above, below.

O my America! my new-found-land,

My kingdom, safeliest when with one man manned,

My mine of precious stones, my empery,

How blest am I in this discovering thee!

To enter in these bonds is to be free;

Then where my hand is set, my seal shall be.

Full nakedness! All joys are due to thee,

As souls unbodied, bodies unclothed must be,

To taste whole joys. Gems which you women use

Are as Atlanta's balls, cast in men's views,

That when a fool's eye lighteth on a gem,

His earthly soul may covet theirs, not them:

Like pictures, or like books' gay coverings made

For lay-men, are all women thus arrayed.

Themselves are mystic books, which only we

(Whom their imputed grace will dignify)

Must see revealed. Then, since that I may know,

As liberally as to a midwife, show

Thyself: cast all, yea, this white linen hence,

There is no penance due to innocence:

To teach thee, I am naked first; why than,

What need'st thou have more covering than a man?

no one looking

Now that no one looking
by Adam Kirsch

Now that no one looking at the night-
Sky blanked by leakage from electric lamps
And headlights prowling through the parking lot
Could recognize the Babylonian dance
That once held every gazer; now that spoons
And scales, and swordsmen battling with beasts
Have decomposed into a few stars strewn
Illegibly across an empty space,
Maybe the old unfalsifiable
Predictions and extrapolated spheres
No longer need to be an obstacle
To hearing what it is the stars declare:
That there are things created of a size
We can’t and weren’t meant to understand,
As fish know nothing of the sun that writes
Its bright glyphs on the black waves overhead.

cate marvin

A Windmill Makes a Statement
by Cate Marvin

You think I like to stand all day, all night,
all any kind of light, to be subject only
to wind? You are right. If seasons undo
me, you are my season. And you are the light
making off with its reflection as my stainless
steel fins spin.

On lawns, on lawns we stand,
we windmills make a statement. We turn air,
churn air, turning always on waiting for your
season. There is no lover more lover than the air.
You care, you care as you twist my arms
round, till my songs become popsicle

and I wing out radiants of light all across
suburban lawns. You are right, the churning
is for you, for you are right, no one but you
I spin for all night, all day, restless for your

sight to pass across the lawn, tease grasses,
because I so like how you lay above me,
how I hovered beneath you, and we learned
some other way to say: There you are.

You strip the cut, splice it to strips, you mill
the wind, you scissor the air into ecstasy until
all lawns shimmer with your bluest energy.

may day

May Day
by Phillis Levin

I’ve decided to waste my life again,
Like I used to: get drunk on
The light in the leaves, find a wall
Against which something can happen,

Whatever may have happened
Long ago—let a bullet hole echoing
The will of an executioner, a crevice
In which a love note was hidden,

Be a cell where a struggling tendril
Utters a few spare syllables at dawn.
I’ve decided to waste my life
In a new way, to forget whoever

Touched a hair on my head, because
It doesn’t matter what came to pass,
Only that it passed, because we repeat
Ourselves, we repeat ourselves.

I’ve decided to walk a long way
Out of the way, to allow something
Dreaded to waken for no good reason,
Let it go without saying,

Let it go as it will to the place
It will go without saying: a wall
Against which a body was pressed
For no good reason, other than this.

sponge bath

Shampoo & Sponge Bath
by J. W. Marshall

1.

It takes a small face
to see itself
in the handmirror offered

when staff says
it’s time to wash that greasy hair.
Says it’ll help.

Like a tuber on the pillow
or the shadow of a spade
is how

I remember looking. Water slopped
on my gown and skin and sheets.
When they laid my head back

into the metal basin
I died and happily that time.

2.

There was a terrifyingly large sky
that first day they rolled me
out for air.

Terrifyingly.
And clouds like balled-up cobwebs.
What if the chair got caught

in a crack or on a rock—I watched for that.
There’s one the orderly said
meaning a cloud

that looks like you.
There was weakness in each of them.
There was a fraying wind. A mess

he said like you
before your bath.