Girl Poem

Dangerous for Girls
by Connie Voisine

It was the summer of Chandra Levy, disappearing
from Washington D.C., her lover a Congressman, evasive
and blow-dried from Modesto, the TV wondering

in every room in America to an image of her tight jeans and piles
of curls frozen in a studio pose. It was the summer the only
woman known as a serial killer, a ten-dollar whore trolling

the plains of central Florida, said she knew she would
kill again, murder filled her dreams
and if she walked in the world, it would crack

her open with its awful wings. It was the summer that in Texas, another
young woman killed her five children, left with too many
little boys, always pregnant. One Thanksgiving, she tried

to slash her own throat. That summer the Congressman
lied again about the nature of his relations, or,
as he said, he couldn’t remember if they had sex that last

night he saw her, but there were many anonymous girls that summer,
there always are, who lower their necks to the stone
and pray, not to God but to the Virgin, herself once

a young girl, chosen in her room by an archangel.
Instead of praying, that summer I watched television, reruns of
a UFO series featuring a melancholic woman detective

who had gotten cancer and was made sterile by aliens. I watched
infomercials: exercise machines, pasta makers,
and a product called Nails Again With Henna,

ladies, make your nails steely strong, naturally,
and then the photograph of Chandra Levy
would appear again, below a bright red number,

such as 81, to indicate the days she was missing.
Her mother said, please understand how we’re feeling
when told that the police don’t believe she will be found alive,

though they searched the parks and forests
of the Capitol for the remains and I remembered
being caught in Tennessee, my tent filled with wind

lifting around me, tornado honey, said the operator when I called
in fear. The highway barren, I drove to a truck stop where
maybe a hundred trucks hummed in pale, even rows

like eggs in a carton. Truckers paced in the dining room,
fatigue in their beards, in their bottomless
cups of coffee. The store sold handcuffs, dirty

magazines, t-shirts that read, Ass, gas or grass.
Nobody rides for free
, and a bulletin board bore a
public notice: Jane Doe, found in a refrigerator box

outside Johnson, TN, her slight measurements and weight.
The photographs were of her face, not peaceful in death,
and of her tattoos Born to Run, and J.T. caught in

scrollworks of roses. One winter in Harvard Square, I wandered
drunk, my arms full of still warm, stolen laundry, and
a man said come to my studio and of course I went—

for some girls, our bodies are not immortal so much as
expendable, we have punished them or wearied
from dragging them around for so long and so we go

wearing the brilliant plumage of the possibly freed
by death. Quick on the icy sidewalks, I felt thin and
fleet, and the night made me feel unique in the eyes

of the stranger. He told me he made sculptures
of figure skaters, not of the women’s bodies,
but of the air that whipped around them,

a study of negative space,
which he said was the where-we-were-not
that made us. Dizzy from beer,

I thought why not step into
that space?
He locked the door behind me.

Summer 2001: Another Dangerous for Girls

I, too, remember that summer
what I was doing when I heard the news
I cannot remember.

Chandra Levy went missing,
Five boys drowned by their mother in a Texas Lake,
Aileen Wuornos would be injected.

I know I quit teaching that year
exchanging the chalk for a Bible
that never really helped.

The cold, leather cover cracked
whining as I opened it,
looking for answers I couldn’t find.

I fell in love for always,
one last time we camped Lost Bridge West.
Our beer got stolen and my shoe
melted slowly in the campfire.

Untitled poem

Untitled [To see this evil from its core]
by Philip Lamantia

To see this evil from its core
He spent himself on margins
Crystal edges umbra-ed and broke,
Splintering by measured denials,
Waiting for the hour patience intersected:
The giver capsuled whole the spending parts.

O Mad Love where untempered
You remain, tunneling trains of art—
Deflecting horizonless
depthless

Light
on this voice—these sounds—
A heart whose wails you dream
Into actuality swims halfway
To your always perilous obliqued and
Always
vanished
shore.

Arctic poem

Balance
by Adam Zagajewski
translated by Clare Cavanagh

I watched the arctic landscape from above
and thought of nothing, lovely nothing.
I observed white canopies of clouds, vast
expanses where no wolf tracks could be found.

I thought about you and about the emptiness
that can promise one thing only: plenitude—
and that a certain sort of snowy wasteland
bursts from a surfeit of happiness.

As we drew closer to our landing,
the vulnerable earth emerged among the clouds,
comic gardens forgotten by their owners,
pale grass plagued by winter and the wind.

I put my book down and for an instant felt
a perfect balance between waking and dreams.
But when the plane touched concrete, then
assiduously circled the airport’s labryinth,

I once again knew nothing. The darkness
of daily wanderings resumed, the day’s sweet darkness,
the darkness of the voice that counts and measures,
remembers and forgets.

Love poem

After the Movie
by Marie Howe

My friend Michael and I are walking home arguing about the movie.
He says that he believes a person can love someone
and still be able to murder that person.

I say, No, that’s not love. That’s attachment.
Michael says, No, that’s love. You can love someone, then come
to a day

when you’re forced to think “it’s him or me”
think “me” and kill him.

I say, Then it’s not love anymore.
Michael says, It was love up to then though.

I say, Maybe we mean different things by the same word.
Michael says, Humans are complicated: love can exist
even in the murderous heart.

I say that what he might mean by love is desire.
Love is not a feeling, I say. And Michael says, Then what
is it?

We’re walking along West 16th Street—a clear unclouded
night—and I hear my voice
repeating what I used to say to my husband: Love is action,
I used to say to him.

Simone Weil says that when you really love you are able to
look at someone you want to eat and not eat them.

Janis Joplin says, take another little piece of my heart now baby.

Meister Eckhardt says that as long as we love images we are
doomed to live in purgatory.

Michael and I stand on the corner of 6th Avenue saying goodnight.
I can’t drink enough of the tangerine spritzer I’ve just
bought—

again and again I bring the cold can to my mouth and suck
the stuff from
the hole the flip top made.

What are you doing tomorrow? Michael says.
But what I think he’s saying is “You are too strict. You
are a nun.”

Then I think, Do I love Michael enough to allow him to think
these things of me even if he’s not thinking them?

Above Manhattan, the moon wanes, and the sky turns clearer
and colder.
Although the days, after the solstice, have started to lengthen,

we both know the winter has only begun.

Giving Grace and Being Graceful About It

I guess even giving grace isn’t exactly what I want to say. What I want to say is that working at grace with someone and being graceful about that in your life aren’t the same things. At least they aren’t the same for me. The first seems to work out so much more…gracefully…than the second. Working for grace with people is difficult, but necessary, which is probably why I find it easier than living the whole idea out in life. Confusing? Yes.

We give grace, get grace, and work toward mutual grace every day. The problem is that we are human and a big portion of grace is risk. We have to be willing to risk letting go of the offense that made against us, and we literally have to be willing to suffer the consequences for someone else’s actions. That being said, they have to be willing to receive the idea that we are willing to suffer for them. That concept is the really tricky thing about grace. That two sided coin of giving grace/receiving grace is a bit of a sticking spot.

My point is that I can dole out cheap grace without ever expecting anyone to be redeemed through it, but it makes us all feel better. Or, I can work toward grace with someone, possibly get hurt in the end, and never see that person be redeemed. I want grace to be easy, and I want to be graceful about giving, but sometimes, I just can’t be.

Sometimes, in my not so graceful moments, I want to say to people: “You really fucked up, and it’s all on you. You did it. You pay the consequences. I tried to give you grace but you won’t take, so live in the tangled web you weave. Besides I am sick as shit of the way you conduct yourself.” I know, though, that many times in my life, I have had people who wanted to say that to me, but for whatever reason didn’t say it. They just kept trudging through the muck with me, holding me up, and making sure that I made it through.

Other times, I want to run around saying, “Look at me I gave you grace. I helped you through this spot. I did nothing but extend a warm hand and kind heart to your breaking one. Why are dragging me down with you?” And isn’t the whole point that the other person, the one who committed the offense gets to say: “Look I made it through.” Without actually saying it, the person who receives grace points toward the person who gave them that grace and implies that grace can work for you, too. But, that is the risk of grace. Sometimes you get dragged down, too, and the person who needs your grace can’t get it.

I’m thinking of our lives as Christians: we fuck up, we get grace from Jesus, we accept that grace, and our actions in redemption point the finger back to him, saying, “My grace comes from God, you can get some, too.” Our grace should flow out of us, indicating to people that where we live, grace abounds.

So, I guess some recent events in my life have happened to remind me how redemptive grace works. It’s hard, it hurts, and you sometimes have to be willing to let go, because the people who need to receive grace the most sometimes just don’t want it. I want to let go, but I also want to work at grace. I can’t work at it with someone who doesn’t want to work at it with me, though. The giver of grace has to be willing to recognize that sometimes the receiver doesn’t want it.

I’m not perfect. I have a long way to go in order to even be a shadow of the woman I want to become, but that’s grace. I give grace. I receive grace. I am redeemed.

I said I wasn’t going to write until next week, but I lied. I just had to get that off my chest. And, now, you don’t know me again for five days.