Lantern Body

Her Body Like a Lantern Next to Me
by John Rybicki

There’s this movie I am watching:
my love’s belly almost five months
pregnant with cancer,

more like a little rock wall
piled and fitted inside her
than some prenatal rounding.

Over there’s her face
near the frying pan she’s bent over,
but there’s no water in the pan,

and so, no reflection. No pool
where I might gather such a thing as a face,
or sew it there on a tablet made of water.

To have and to haul it away,
sometimes dipping into her
in the next room that waits for me.

I am old at this. I am stretching
the wick again into my throat
when the flame burns down.

She’s splashing in the tub
and singing, I love him very much,
though I’m old and tired

and cancerous. It’s spring
and now she’s stopping traffic,
lifting one of her painted turtles

across the road. Someone’s honking,
pumping one arm out the window,
cheering her on.

She falls then like there’s a house
on her back, hides her head in the bank grass
and vomits into the ditch.

She keeps her radioactive linen,
bowl, and spoon separate. For seven days
we sleep in different rooms.

Over there’s the toilet she’s been
heaving her roots into. One time I heard her
through the door make a toast to it,

Here’s to you, toilet bowl.
There’s nothing poetic about this.
I have one oar that hangs

from our bedroom window,
and I am rowing our hut
in the same desperate circle.

I warm her tea then spread
cream cheese over her bagel,
and we lie together like two guitars,

A rose like a screw
in each of our mouths.
There’s that liquid river of story

that sometimes sweeps us away
from all this, into the ha ha
and the tender. At night the streetlights

buzz on again with the stars,
and the horses in the field swat their tails
like we will go on forever.

I’m at my desk herding some
lost language when I notice how quiet
she has been. Twice I call her name

and wait after my voice has lost its legs
and she does not ring back.
Dude, I’m still here, she says at last

then the sound of her
stretching her branches, and from them
the rain falling thick through our house.

I’m racing to place pots and pans
everywhere. Bottle her in super canning jars.
For seventeen years, I’ve lined

the shelves of our root cellar with them.
One drop for each jar.
I’ll need them for later.

university poem

Stupid University Job
by Sharon Mesmer

Your loveliest of sway-backs;
of mine I was once ashamed,
and my uni-brow and crooked teeth,
and red hair my mother never let me wash
all winter,
afraid I’d catch a draft.
She wouldn’t let me bathe, either,
which made gym class a horror.
I thought I had it bad
until I met that handsome Scottish man
whose parents tried to make him spontaneously combust
by feeding him haggis laced with gunpowder
and making him sleep in the stove.
Instead of an ear, he had a shiny, snail-shaped ridge.
I guess we all have our tragic flaw.
Mine is like that of the naked man
who holds up a sign that says “I’m naked”
and runs screaming through the park.
My handlers say I’m difficult,
but don’t you believe it.
My soul still radiates a luminous intensity
despite this stupid university job.

spring air

In cold spring air
by Reginald Gibbons

In cold
spring air the
white wisp-
visible
breath of
a blackbird
singing—
we don’t know
to un-
wrap these blind-
folds we
keep thinking
we are
seeing through

It Is Finished, Again!

The semester is over, and while it was one of the most difficult I have had so far, I also learned more than I usually do. I learned about who I am as a person. I gave and received grace to my students and from my professors. I continue to try to reconcile my faith with my actions. I watched as one friend destroyed a relationship, and witnessed other friends begin theirs. I saw a friend define herself, graduate, and become a more amazing woman before my eyes. I watched as my students grew more into who they want to be, and I allowed them to help shape me into the teacher I want to be. I learned more than I ever thought I wanted to know about Modernism(s) and Modernity, time and the Renaissance, and Gilroy and the Black Atlantic. More importantly, I survived. And, I am a better woman for it. I defended fat kids everywhere at an International Conference and had a professor tell me that body studies and queer theory are trendy.

I know now more than ever who I want to be. I can glimpse how I might go about getting there. I want people to look at me and want what I have. I want to rise above the pettiness of this world, change it into love and peace, and help people to know that all we have right now is how we treat other people. We can stop hoping that things will be better in the life to come, and make it happen right here, right now. We can stop insisting that everything will come together in the end, and make it come together now.

Here is what I want: I want to teach literature. Somewhere. Someday. And I want to give grace and receive grace on a daily basis.

I am doing a great work and I cannot come down.

Girl Poem

Dangerous for Girls
by Connie Voisine

It was the summer of Chandra Levy, disappearing
from Washington D.C., her lover a Congressman, evasive
and blow-dried from Modesto, the TV wondering

in every room in America to an image of her tight jeans and piles
of curls frozen in a studio pose. It was the summer the only
woman known as a serial killer, a ten-dollar whore trolling

the plains of central Florida, said she knew she would
kill again, murder filled her dreams
and if she walked in the world, it would crack

her open with its awful wings. It was the summer that in Texas, another
young woman killed her five children, left with too many
little boys, always pregnant. One Thanksgiving, she tried

to slash her own throat. That summer the Congressman
lied again about the nature of his relations, or,
as he said, he couldn’t remember if they had sex that last

night he saw her, but there were many anonymous girls that summer,
there always are, who lower their necks to the stone
and pray, not to God but to the Virgin, herself once

a young girl, chosen in her room by an archangel.
Instead of praying, that summer I watched television, reruns of
a UFO series featuring a melancholic woman detective

who had gotten cancer and was made sterile by aliens. I watched
infomercials: exercise machines, pasta makers,
and a product called Nails Again With Henna,

ladies, make your nails steely strong, naturally,
and then the photograph of Chandra Levy
would appear again, below a bright red number,

such as 81, to indicate the days she was missing.
Her mother said, please understand how we’re feeling
when told that the police don’t believe she will be found alive,

though they searched the parks and forests
of the Capitol for the remains and I remembered
being caught in Tennessee, my tent filled with wind

lifting around me, tornado honey, said the operator when I called
in fear. The highway barren, I drove to a truck stop where
maybe a hundred trucks hummed in pale, even rows

like eggs in a carton. Truckers paced in the dining room,
fatigue in their beards, in their bottomless
cups of coffee. The store sold handcuffs, dirty

magazines, t-shirts that read, Ass, gas or grass.
Nobody rides for free
, and a bulletin board bore a
public notice: Jane Doe, found in a refrigerator box

outside Johnson, TN, her slight measurements and weight.
The photographs were of her face, not peaceful in death,
and of her tattoos Born to Run, and J.T. caught in

scrollworks of roses. One winter in Harvard Square, I wandered
drunk, my arms full of still warm, stolen laundry, and
a man said come to my studio and of course I went—

for some girls, our bodies are not immortal so much as
expendable, we have punished them or wearied
from dragging them around for so long and so we go

wearing the brilliant plumage of the possibly freed
by death. Quick on the icy sidewalks, I felt thin and
fleet, and the night made me feel unique in the eyes

of the stranger. He told me he made sculptures
of figure skaters, not of the women’s bodies,
but of the air that whipped around them,

a study of negative space,
which he said was the where-we-were-not
that made us. Dizzy from beer,

I thought why not step into
that space?
He locked the door behind me.

Summer 2001: Another Dangerous for Girls

I, too, remember that summer
what I was doing when I heard the news
I cannot remember.

Chandra Levy went missing,
Five boys drowned by their mother in a Texas Lake,
Aileen Wuornos would be injected.

I know I quit teaching that year
exchanging the chalk for a Bible
that never really helped.

The cold, leather cover cracked
whining as I opened it,
looking for answers I couldn’t find.

I fell in love for always,
one last time we camped Lost Bridge West.
Our beer got stolen and my shoe
melted slowly in the campfire.